Broadcast News
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Product Description

In James L. Brooks' quirky, romantic comedy, three ambitious workaholics are set loose in a network TV newsroom where their professional and personal lives become hopelessly cross-wired. Tom (William Hurt) is the modern anchorman, smooth, handsome and a bit dumb. Jane (Holly Hunter) is his driven, brilliant producer, determined to turn Tom into a real newsman. And Aaron (Albert Brooks) is a seasoned, totally uncharismatic reporter who can't stand Tom's instant success on-camera or with Jane. It all adds up to one explosively funny romantic triangle.

Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment," which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, this shows remarkable insight into the people who make television. On the surface it is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behavior and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks's furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman

Customer Reviews:

  • "I say it here, it comes out there."
    This is easily one of the wittiest and most entertaining movies I have ever seen. All the elements of fine filmmaking are here: great acting, great dialogue, and great direction. The three main actors are all excellent, each one recognized by the Academy of Motion Picture Arts and Sciences with Oscar nominations: Best Actor(William Hurt), Best Actress(Holly Hunter), and Best Supporting Actor(Albert Brooks). The Original Screenplay also received a nod, as did the Film Editing, Director(James L. Brooks), as well as the Best Picture nomination. While it did not win any, much to my dismay, I do remember pulling for this film with all my heart. "The Last Emperor" won 9 Oscars, so there wasn't much left over. This is smart movie-making on all fronts. Even the romance works here, which is often under considerable scrutiny from me. Holly Hunter is pursued by two men, at polar opposites with regards to their personalities. One is the man she is physically attracted to but finds intellectually repulsive, while the other is unattractive physically but is a brilliant and funny companion. This is intelligent and witty and ultimately warming. A treasure....more info
  • Strictly a technical review
    While this is without question a 5-star film, the dvd leaves MUCH to be desired. Let me begin with the widescreen framing. I was happy to finally see this arrive on dvd in its proper wide format. Out of curiosity I took out my oft-played VHS copy and compared the compositions. Understanding that many 1.85:1 pictures are merely 1.33:1 aspects with mattes placed on the top and bottom of the frame, I wasn't expecting to be too disappointed with the missing, albeit unintended, visual information. But I have to say - not only is the top and bottom masked off, but the SIDES are zoomed in and cropped as well. In other words you lose information on ALL FOUR SIDES, and it does NOT look good. This CANNOT be what James L. Brooks had in mind...could it?!?! Sorry to say, but this has to be one of the most RARE examples where the "full-frame", that is, full aperture is preferred over the letterboxed edition. Which brings me to my next point: somebody PLEASE re-issue this as a Special Edition, replete with commentaries, and any extra footage. Finally, whoever, please, PLEASE re-frame this into a 1.78:1 anamorphic transfer. Widescreen is preferred, but on the existing dvd the framing is just too tight....more info
  • An exercise in smart scripting.
    BROADCAST NEWS marks the first time I saw Holly Hunter, and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female character) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. I guess some of my feelings mirror what San Diego Darren said down below, but it dosen't stop me from being a bit p'od at Albert Brooks. His was the character I identified with the most- the guy who's always seen as a 'brother' to the girl he really loves, and my favorite scene in the whole film is him getting the chance to kiss Hunter romantically. (It's preceded by a truly poignant moment of him confessing how much he loves her.) When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot....more info
  • Never forget, WE'RE the story...
    The only movie worthy of being paired with Paddy Chayefsky's Network. Yes, James L. Brooks is brilliant (isn't that a given?), but the man's a prophetic wizard, too, because in this single film, he correctly predicted the downard slide of our modern news business.

    Of course, Chayefsky did this years earlier in Network (news as entertainment; hijacking of "objectivity" for political agenda; ratings ruling and overruling everything; news "stars" in front of cameras mattering more to "corporate" than good writing and reporting). Chayefsky's take, however, is much darker, less human, and does push the envelope of credulity. Broadcast News is all too accurate. Eerily accurate. If you haven't seen it, you sure should (and Network, too, if you haven't - a great double feature)....more info
  • One of the 80's Best
    Every once in a while Hollywood hits one out of the park. See this movie.

    In a decade mostly unremarkable in terms of cinematic history, "Broadcast News" stands out like a polished gem. There isn't a single aspect of the film---acting, writing, directing---that can be faulted.

    Too, it is a rare Hollywood offering which is actually ABOUT something---in this case, the gradual transforming of a television news department into just another cache of profits and entertainment. All of the characters play their roles skillfully yet humanly and no one is a cardboard cutout.

    Director James Brooks passed on any availably facile plot lines and let the story take its own difficult, rocky road, to great artistic advantage. So many directors would have contrived a glossy romantic wrapup to the film and Brooks, to his credit, resisted that temptation.

    Jack Nicholson makes a cameo in a rare, subtle performance which I think is one of his best.

    To me, this movie is a veritable litmus test of people and their values. If you go to see this picture with someone and they say, "Well, I don't think what William Hurt's character did was so bad," you know you're dealing with one kind of person; if another person says, "Are you kidding? What he did was terrible, a monstrous betrayal!" you know you're dealing with another kind of person. These two types should definitely not attempt to marry or raise kids together!...more info
  • "Wouldn't it be a great world ...
    ". . . if desperation and insecurity made us attractive? If needy were a turn on?" Though Albert Brooks delivers this line, *Broadcast News* is not directed by him; it's directed by JAMES Brooks (who also wrote and produced -- truly a product of one creative mind, here). It's a measure of how well James Brooks knows his 3 principal characters that the actors who play them speak as if they wrote their own dialogue. *Broadcast News* is a classic primarily because these characters are so completely realized, so lived-in, as it were. We end up knowing these characters nearly as well as they seem to know themselves ("I'll meet you at the place near the thing where we went that time"). William Hurt is the not-terribly bright aspiring anchorman; Holly Hunter is the type-A news producer; and Albert Brooks is the reporter after "hard news" (meaning, REAL news). One reviewer here complained that he didn't like Albert Brooks as much as he was "supposed to" and that Hurt's character wasn't villainous enough. But that's the point. While we side with Brooks' work ethics throughout, we are often disappointed in him, particularly when out of lovesick frustration he descends to cheap pettiness by rubbing his intellectual superiority in Hurt's nose and says hurtful things to Hunter's character. And while we disdain Hurt's corner-cutting career ambitions, we're also surprised at the man's humaneness, as when he calls his father in a touching scene, joyously proclaiming, "Dad, I think I can do this job!" The point being, of course, that these are REAL people, presented in such a way as nowadays seems impossible in mainstream Hollywood productions. As if this wasn't wonderful enough, the movie is interested in actual WORK: it's quite educational on how a network news program is edited, staged, and generally put together, even providing the inside skinny on how to straighten the shoulders of one's suit-jacket. And certainly the concern with ethics in journalism puts this romantic comedy on a far higher level than is usual with the genre. I'm talking a level on par with some of the great novelists of the 19th century, like Austen and Henry James and Trollope and Hardy. In other words, *Broadcast News* is nothing less than a formal comedy of manners . . . one of the best ever put on the screen. Oh, and by the way: the bittersweet ending is precise and true. Much like the rest of the movie....more info
  • "I can sing while I read! I am singing and reading both!"
    What can I say about this film that hasn't already been said? I've seen it countless times, and I still love it. A few years ago I watched it on the suggestion of my mother, since it is one of her favorite movies and I loved it too. Albert Brooks' performance as Aaron is comedic genius. He had so many funny lines, and was an all-around likeable guy, despite the fact that he did come off as whiny on occasion. Holly Hunter played the part of Jane very well, and she seemed like a very real person struggling with her hectic work life and lack of a social life, especially in her scheduled crying jags. William Hurt totally had it in him to play the "all flash, no substance" news reporter who may be slightly lost in the big, bad world of news anchoring, but somehow managed to pull it off. Brooks, Hunter and Hurt all deserved to be given the awards that were unfairly received by other actors. This is, and will always be, one of my favorite movies....more info
  • The truth, and nothing but the truth...
    Wildly witty and richly textured with raw human connection; James L. Brooks' comedic masterpiece `Broadcast News' is most definitely one of a kind.

    Well, talk about spilling it all in the opening sentence. I don't even know how to follow that up.

    The film centers around three working bodies. You have Tom Grunick, the pretty boy turned TV-Reporter who is embittered with himself for being too good. He has a knack for something that he doesn't quite understand and it causes him to feel less than deserving; but it's apparently a mock-humility, as if he's searching for manipulated sympathies. Then you have Aaron Altman, a very gifted and passionate reporter who lacks the presence and connection that Tom so effortlessly oozes. He is battling his own insecurities as he is surely battling himself, trying to put up a front and become something he's not sure he wants to be. Stuck in the middle of this testosterone ridden battle is a female producer, Jane Craig, who struggles with her feelings for these two men as she struggles with her feelings about herself and where she is headed; professionally and personally.

    `Broadcast News' is not a film merely about television, or the media, or the workplace but is a genuinely sincere look at relationships of the most important kind; the ones we have with ourselves.

    Each of these characters is not a whole person. They are fractures shells of who they are meant to be, still struggling to put all their pieces together and figure out just who they truly are. Tom is a mess, manipulating himself to believe that his gift is to manipulate the masses. He believes that selling the news is more important than believing in it. He has a talent for something he isn't quite sure he cares for, and thus his talent is wasted. Jane is barely holding herself together as she attempts to separate her personal life from her professional life; a task that has taken its toll on both aspects. She has scheduled times throughout the day to just cry, as if she spent the remaining twenty-three hours of her day forcing herself not to cry. Aaron, to me, is the most interesting character because he seems to be the most confused. His love for Jane feels almost forced, as if he feels that that is how he is supposed to feel, when I get the feeling that he was more in love with Tom than Jane, and his hatred for the man and everything he stood for was more a way for him to reject the feelings he convinced himself were not really there. His personal life as well as his professional life is a mess and it's because he cannot for one second be honest with himself.

    But that's just my take.

    The three stars are all wonderful here (thus all garnering Oscar nominations), each one playing off the other with brilliant chemistry and naturalism. William Hurt is perfectly wounded in his demeanor, as if he is trying to constantly defend his stance even when he doesn't have to; and Brooks (who is lead here, not supporting) is marvelously conflicted, etching the truth within Aaron's lies so wonderfully. Holly Hunter, in my opinion, is a comic (and dramatic) gem here. She really understands Jane, who is the moral centerpiece for the film. She grasps her own demons and conflictions and dilemmas beautifully and creates one of her finest onscreen characters.

    The supporting cast, including the brilliant Joan Cusack (she really should be in every movie) and the always amazing Jack Nicholson, is also top notch, but this show belongs to the three leads.

    I definitely recommend this film, highly. It's no wonder that all three leads received nominations at the Oscars, or that the film was up for four other awards that night, including Original Screenplay and Best Picture. It is a shame that the film lost all seven though, especially since Holly Hunter's performance alone was the best in any category that year; bar none....more info
  • Real news verses entertainment...
    The media as purveyors of sensational 'news' in the spirit of good 'salesmanship' and entertainment as opposed to actually reporting unbiased, important events and issues to inform the public, that is journalism, as it was meant to be, is represented in this charming and witty film from the genius of James L. Brooks. (Terms of Endearment, As Good as it Gets) To be fair, some television news organizations attempt to report important events as they happen, avoiding sensationalism, the need to entertain, and maintain a modicum of integrity. But television news is more and more about the dazzling visual, the shocking three- minute sound bite between the all-important advertisements. This film cleverly addresses the question on what is 'real' news and what 'sells'. In the past we sort of had a clue or at least a choice as to what news source was credible, i.e., tabloid-ism and/or serious journalism. It all seems now to be blurred - sensationalism, gossip, opinion, selling and the so-called 'facts' of an event or issue has now appeared to all have melded together in the pursuit of market share and the almighty dollar.

    The character, Tom, (William Hurt) is a striving newsreader, and after reading sports at a local station, manages to land a job at one of the big networks. He is a little slow, can't write, and wouldn't know a real story if it dropped on his head, but he's good looking, personable, can at least read, and above all, has the innate ability to sell the birds off the trees. Here is the new force in television journalism - news anchor as television star. Then there is Aaron, (Albert Brooks) the reporter's reporter - brilliant, serious, idealistic and wholly uncharismatic in the popular sense. Although a writer with Pulitzer Prize ability, he attempts to read the news one Sunday night and almost drowns in his own flop sweat. Aaron is not a newsreader but a true writer and investigative journalist, a man who believes in the integrity of his profession. Then, of course, there's Jane, (Holly Hunter) a highly-strung, also brilliant, obsessive news producer, who shares this same idealistic integrity about journalism as her co-worker and best friend, Aaron. The film is about these three diverse and colourful individuals, who are drawn together for the same reasons, ambition and the news, but whose ideas about the news, their values concerning integrity, at least for one, are so different. This film is also about love, relationships and how the passionate desires of the heart do not necessarily match the logic of the head.

    At the time of it release, this film was acclaimed as the best romantic comedy to come out in years. It continues to be enormously entertaining and the issues it raises are relevant today. The film truly depicts the world of television news, how its standards have slowly dropped from reporting the events and issues to entertaining us with gossip, sensationalism and that all-important dazzling visual - news is now about entertainment and selling. This is a film that should be pulled from the shelf occasionally and watched to remind us about integrity, maintaining a high standard in our values, and what great movie making is all about. Five Stars....more info

  • wonderful
    I should say that I really enjoyed the movie. This is a kind of movie that you will enjoy watching with your girlfriend. Also it is a great movie if you have a beer and watch it alone and think about the relationships. It is not the type of movie you watch before a footbal game or with your friends who think money and alcohol are the MOST important things in their lives. This movie should touch your soul:)
    Have fun watching it....more info
    Apart from sporting the most powerful newsroom dynamics since His Girl Friday or Up Close & Personal, this film portrays the delicate balance between intelligence and amorous attraction, and in doing so, manages to slink in a gentle poke at the news industry at the same time.

    The theme is smart -- an examination of the atavistic obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. But it doesn't wear geek glasses. Instead, it comes wrapped in an effortless, witty script. The dialogue is crisp and moments abound. The humor is grown-up and in liberal dollops. The performances by the three leads are very credible and make you feel for each of their characters. William Hurt a smooth talking player, Brooks the geek who knows it all but gets all loopy in front of the camera, Hunter their common denominator. Jack Nicholson and John Cusack turn in surprise cameos that don't hurt the overall experience at all.

    One could speculate that this movie didn't walk away with any Academy statuettes despite being nominated in several categories because the very interesting build-up did not culminate into a neat little ending that would satisfy everyone. A small Hollywood-inclined part of me feels that it could have ended a little differently too. This discontent stems perhaps from a hopeful optimism to see things work out between people whom we have seen trying to be with each other, but it does reflect the starkness of romance in the real world.

    These truths may not be everyone's cup of bitter machiato, but overall, the bustle of the warm bumbling interactions between regular people trying to make it in a cut-throat industry and finding some meaning in their lives in the process, is definitely worth a ride. I get glued to this film even after having seen this several times, and that is saying something....more info
  • A Classic--Excels In Every Way
    I saw this when it first came out in 1987, and remembered liking it. Watched it again last week, and liked it even more. Its achievement is that it is able to tell a compelling personal story (a love triangle of sorts) at the same time that it takes a snapshot of a pivotal moment in time in an industry critical to American democracy. It's very different from Network, which mixes black humor and over-the-top satire with a couple of personal stories and a cheesy, poorly realized romance, but the two taken together can tell you a lot about where American news media went wrong. I think James L. Brooks' script and direction are topnotch, and the three principals, Hunter, (Albert) Brooks, and Hurt are all good. Hunter is brilliant, and Brooks is as real and convincing as he has ever been in anything!

    So many movies tack on the romance as an artificial way of generating audience interest. But this movie makes the romance part of the overall commentary, and the love triangle's eventual resolution is completely intertwined with the film's take on journalistic ethics--such an effective way of delivering a social statement in a personal way that is convincing and integral to the larger story.

    Pretty much everyone got nominated for this--Albert Brooks, Hunter, Hurt, and James Brooks. And they got nothing, unfortunately, losing out to The Last Emperor, Moonstruck, and Wall Street, for goodness' sake. Still, a fine movie, well-crafted, intensely acted, and poignant. And still pretty tight and crisp twenty years later. Not a lot of excess, even at just over two hours. Well worth a view....more info
  • Funny and incisive. One of 1987's very best.
    ''It must be nice to always think you're the smartest person in the room,'' she replies, ''No, it's awful'' .... The matter of fact reply to the accusation is of the reasons why I love this movie so much. I initially saw it when it came out in 1987, and although the technology and wardrobe look dated, the film's core may be even more relevant today than it was when initially released and continues to play beautifully due to strong performances and a funny yet unusually incisive script.

    Right at the center of the movie are 3 characters: Jane (Holly Hunter), a news writer-producer for the Washington bureau of a TV network. She is smart and is the "go to" person at the network as she works best under pressure and the character who responded to the remark about being the smartest person in a room. Her very best (and possibly only) friend is Aaron Altman (Albert Brooks), a bright, aggressive reporter, who along with Jane, have either true or self-created illusions great looks and intelligence can't coexist. Like Jane, Aaron is also very good at his job, but he wants to be on camera. During a speech that she is giving on the road, Jane meets Tom (William Hurt), an ex-sportscaster who has little education and doesn't know much about current events. But he has been hired for the Washington bureau because he looks good and has a natural relationship with the camera, and isn't that what matters?

    Although billed as a romantic comedy, which it is in part, the movie does a brilliant job of how many of us use work to measure who we are and at times use it an excuse to hide from life outside of that myopic perspective. In the course of the movie, the network goes through various upheavals based on the premise that news is losing (or by now has lost) its independence and has become entertainment with talking heads who make us feel good are replacing "true" journalists. Although the script is top notch, one of the reasons that movie resonates so well, is that the actors and the director manage to make even the most partisan statements not seem as didactic as they are on paper.

    None of the characters is perfect by any stretch of the imagination and the 3 leads are clearly not afraid to be dislikable. Their individual and collective effort works so well that you wind up being very interested/invested in them despite their flaws. This is without a doubt a career-defining performance by Holly Hunter who was robbed of the Oscar as it was given to Cher for her work in "Moonstruck" to "make up" for not rewarding her work in "Mask." William Hurt, a nuanced and complicated actor who was also nominated for the Oscar gives a change of pace performance as someone who's perfectly aware of his intellectual limitations but who sees no reason for them to interfere with his climb to the top. Albert Brooks is brilliant and comes very close to stealing the movie as he is hilarious and to me represents the moral conscience of the movie. He too was nominated for the Oscar and in my opinion was robbed as it was given to Sean Connery for what I think was a career award rather than his work in "The Untouchables."

    Sidebar: This movie received Oscar nominations in all major categories (Best Picture, Best Director, and Best Original Screenplay among others), the movie was not awarded a single Oscar as it was a year with great movies such as "The Last Emperor" and show-stopping performances, as was the case with Michael Douglas in "Wall Street."

    But back to the movie. Its writer/director, James L. Brooks, who hit a grand slam with "Terms of Endearment," manages not to let any character run away with the movie as he tempers their self-righteousness (as is the case with Hunter and Brooks) and good luck (William Hurt) by making them more than bumper-sticker characters. There is a great line sequence in the movie in which one reporter asks fellow reporters ''Would you tell a source you loved them just to get information?'' The immediate response, ''Yes,'' is followed by laughter all around. In essence although James L. Brooks makes a strong case that the news BUSINESS has blurred many lines, even those of us who think fall on the "right" side of said line are not presented as heroes nor are those who apparently cross it vilified. The movie is packed with many one-liners that do more than amuse and makes keen observations without beating your head with them.

    This movie easily earns 5 stars and would almost be a perfect movie had it ended without a neatly tied-up last act that ALMOST, but not quite, manages to take away a movie that had only taken a single false step until then. That first false step, in my opinion, is what led to the unnecessary and forced last act. The big "surprise" and one character's reaction to it are much to do about nothing in the bigger picture.

    Notwithstanding this movie makes very strong statements (a la "Network" but much more subtle) about an industry and does so un such an entertaining and intelligent manner that I have to see this movie every few years, which is something that I rarely do. The outcome is almost irrelevant when compared to the joy of seeing these smart people interact with one another. Without a doubt, this is one of 1987's best movies. Enjoy and if you have not seen this movie, you'll be happily surprised by an unbilled performance by yet another amazing actor...more info

  • A Classic Film
    They don't make films like this today. It's a scathing, smart, funny, and thought-provoking look at TV news. But more importantly, it's a great film about complicated people and their relationships....more info
  • Brooks is great!
    I don't think he directed this one, but he was great in his role with William Hurt and Holly Hunter. Great cast! How can one go wrong with that cast?...more info
  • intelligently written and wonderfully acted
    This is a triumph of insight. The actors have meaty parts - all written in heartbreakingly real facets - and they bring the characters to life in a multitude of ways.

    This is not a "light" comedy - although it is funny.
    This is a real look at the business of news, and some of the people who might populate it in real life. It is a treasure...thoughtful, provoking, and satisfying.

    enjoy this on a night when you want to sit back, think, and enjoy....more info
  • Perfect, Clever and Sharp
    I just watched this movie after not seeing it for several years and I was even more enthralled by it than the many times I had previously viewed it. The film is flawlessly produced, cast, scripted and edited. It's story involves three individuals working in televised news at a time of transition from in-depth reporting by professional journalists to an image industry of recognizable, technically proficient "star" anchors who "sell" the news. They each represent an aspect of this transition from intellectual to entertainment. Their edgy romantic triangle of passion, talent, intellect, professionalism, integrity, friendship and unrequited love is on the surface a fastpaced romantic comedy reminiscent of Hollywood's golden years, and at a deeper level is an accurate mirror of our times, how we got there, who succeeded and what was lost and won in the process. I cannot recommend this enough and if, like myself, you have only watched it on video, seeing it on DVD is a must. Such a perfect, clever and sharp movie should not be fuzzy around the edges.

    ...more info
  • Very Funny!!
    Being in the news business myself, I found this movie to be very funny. Some of the characters were actually characatures of some of the ego-driven, compulsive people I have met in the business. Brooks, Hunter and Hurt are the big three here and they work wonderfully together!!...more info
  • Broadcast News - In Review
    Amidst the hustle and bustle of a demanding newsroom a love triangle builds right in your living from this witty, romantic, comedy Broadcast News. Holly Hunter who plays a network news producer falls between pretty-boy anchorman William Hurt and Albert Brooks, who provides contrast as the gifted reporter. Director James L. Brooks brings this romantic comedy to life through the busy Washington D.C. pressroom.

    With a glimpse into each of the characters' childhood the film brings us thirty years later to a Washington News Network that brings together are three amusing characters. Jane (Holly Hunter), swiftly finds herself attracted to the new anchorman, Tom (William Hurt) hired for his good looks and camera poise. Long time friend of Jane, Aaron (Albert Brooks) reveals his true feelings in the midst of Jane and Tom's relationship to create a tangled triangle. Cutbacks and an unrevealed lie send the trio in their separate ways to be reunited seven years later.

    Holly Hunter is Jane Craig, a lovable, high-strung, control-freak news producer, who falls for a dim-witted, handsome and on the rise anchor William Hurt, who plays Tom Grenick. No role was more fitting then Aaron Altman performed by Albert Brooks, Brooks's made a hard working and witty veteran reporter complete with his brilliant performance. Pulling the film together with supporting roles was Lois Chiles, Joan Cusack, and Robert Provosky, not to mention a trivial role as senior anchorman played by Jack Nicholson.

    The setting is the high-stakes world of network television news, and although the technology has changed since the mid 1980's when this was made, the politics and the cutthroat environment are still exactly the same. The soundtrack is mainly dialogue driven lacking any memorable hits. Mainly featuring scene based tunes to keep the film flowing allowing the focus to stay with the actors' performances.

    Jane's dilemma is more in depth then looks versus love; it is an inner struggle tearing her apart. In one hand she has the handsome anchorman that is everything she cannot stand in media and the other is her long-time honest friend who still believes in integrity. Torn between the choice of integrity and selling the news she takes the new position and starts over.

    The performance from the three actors was outstanding and the accurate portrayal of the network production puts you on set. This spunky, romantic, comedy is well deserving of its Seven Oscar nominations. This delightful James L. Brooks film will leave you wondering if it is not too late to consider a new occupation....more info

  • One of the best movies of the '80s
    A crackerjack of a movie, it's an intelligent and very funny look at TV broadcast news and the people who bring it to us. William Hurt is the pretty face/no brains anchor, Albert Brooks the smart writer who wants to be an anchor but doesn't have the talent, and Holly Hunter is the hyperactive producer who falls for both guys and loses both. So much is going on in this movie that repeated viewings reveal new insights and are always enjoyable. Great acting by all, and the script is terrific. The only fault, and it's a minor one, is the epilogue: it's superfluous. To me, this is one of the best, if not THE best, movies of the 80's....more info